About Jan

JanJan moved to East Anglia a few years ago and has a studio at the Anderson Yard in Norwich. Her practice currently includes painting, drawing, making sculptures and assemblages and writing short fiction . She continues to be involved with the arts in Oxford where she lived for many years She remains vice chair of OVADA (Oxfordshire Visual Arts Development Agency) where she is also Course leader for the Ma equivalent Continuing Practice Course.

While in Oxford as well as establishing her own studio practice she established a small Contemporary Art Gallery called The China Shop, and the Workshop Studios.

She continues to exhibit widely and is involved with collaborative projects both here and abroad.



CV (selected)

Recent Exhibitions

2016 Other Place, Solo show Anteros Arts Norwich
2016 New Hall Art Collection The Royal Academy London
2015 Poetry Library Stories from a Fruitbowl Southbank London
2015 LAC, Group Show Undercroft Gallery Norwich
2014, 2013, 2011 Threadneedle Prize (shortlisted and longlisted) London
2013 Import, Group Show The Annexe Sclater St London
2012 The Light Turned Flimsy, Solo Show New Hall Cambridge
2012 Last and First Men Group Show Battersea Library London


2015 Galerie Herold Sender/ Receiver (ACE funded) Bremen Germany
2008 Colle Verde Let Loose the Dogs (ACE funded) Lucca Italy
2003 Matriarchy (Ace funded) Said Business School Oxford

Selected Talks/events

2013 Artist Talk Ashmolean Museum Oxford
2012 Interview with Sadie Coles Ruskin School of Art Oxford
2012 Symposium Art and Education Oxford Brookes University

Curatorial Projects

2016 Informal Elements Contemporary Painting Show OVADA Oxford
2015 The Stuff Collective Woodstock Museum


Download Jan's CV

Download Jan's Artist Statement


Artist Statement

Jan is interested in using the manipulation of paint, rather than words, to create a form of unspoken and ambiguous narrative. An early interest in myth, history, make-believe and theatre, continues to influence the creation of the fictitious characters and their stories that inhabit her work. Jan is currently exploring both personal and political concerns through the invention of a fictitious parallel universe inhabited by a community she has called the Tower Tribe. Jan likes to work on a number of related works at the same time, in this way she feels that the series can explore the underlying ideas and adopt a resonance when seen together. She is currently working on the eighth Tower Tribe series, Be Secret and Exult. Many of her titles are taken from the poems of W. B. Yeats. Read more…

Welcoming the unexpected, Jan is an artist who likes to relinquish control and allow the moment of making to direct her work. She creates a strong sense of an imagined space and allows the palimpsest of previous characters, to contribute to the final image. Juxtaposing, layering and interweaving imagery, it is the freshness of the mark and the precision of the colour that is paramount. By over-painting and repositioning the figures in the process of creating a single work becomes a narrative in its own right, with only the last scene remaining for the viewer to contemplate. Jan likes to develop a series of related works till the underlying ideas and imagery has been explored and the series adopts a resonance when seen together.

Sculpture is also an important part of Jan’s practice, often feeling it imperative to create a tangible form for some of the ideas developing on the canvas. Both her assemblages, created out of found objects which reflect an anthropological approach to the Tower tribe, and her modelled work in clay and plaster, become part of the series she is working on at the time. Taking the form of a 3D object the work takes on a new emotive power. Attempting a synthesis in the making process Jan’s likes to combine the influences of the abstract expressionist artists who taught her at Goldsmiths College in the 70’s: Bert Irwin, Basil Beattie and John Hoyland with more recent figurative painters whose work she admires such as Daniel Richter and Marlene Dumas. Recently incorporating a more conceptual approach to her work, Jan is incorporating within her work a range of pictorial devices and ciphers that constitute a personal visual language enabling her to offer reflections on a range of experiences, both real and imagined.